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sever the invisible hand

by C. Reider

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1.
2.
3.
4.
to survive 04:58
5.
6.
false divine 02:43
7.
8.
9.
empirefall 06:27
10.
11.
tikkun olam 05:26

about

this is a pretty middle finger up to capitalism

1 what remains of the night
january 3, 2021. bpm 145. Terry Riley’s Harp of New Albion scale

2 flowers will rise where you fall
january 24, 2021. bpm 131. Conjunct Tonos-17 Chromatic scale

3 life out of balance
february 13, 2021. bpm 185. Ariel’s 31-tone System

4 to survive
february 13, 2021. bpm 185. Ariel’s 31-tone System

5 sever the invisible hand
february 24, 2021. bpm 222. Wendy Carlos’ Beta Prime scale with perfect fifth divided by 22

6 false divine
december 14, 2020. bpm 225. Wendy Carlos’ Gamma scale with third divided by 11

7 writing on the wall
december 14, 2020. bpm 225. Wendy Carlos’ Gamma scale with third divided by 11

8 mene mene tekel upharsin
february 24, 2021. bpm 222. Wendy Carlos’ Beta Prime scale with perfect fifth divided by 22

9 empirefall
november 18, 2020. bpm 179. “Blown fifth” Modern Slendro scale by Erich von Hornbostel

10 toward the possible
december 20, 2020. bpm 139. Wendy Carlos Beta scale with perfect fifth divided by 11

11 tikkun olam
december 20, 2020. bpm 139. Wendy Carlos Beta scale with perfect fifth divided by 11


audio finishing by Andrew Weathers of Littlefield, Texas

The following review by Marc Masters for Bandcamp Daily:

The discography of Colorado’s C. Reider is filled with all kinds of experiments. For their latest, they utilize the scales and systems of some iconic composers, including Terry Riley and Wendy Carlos, generating bubbling synth pieces from these frameworks. The resulting 11 pieces, lasting over an hour in total, are on the mellower end of Reider’s work, but that doesn’t mean the music isn’t constantly compelling. Each track achieves forward momentum quickly, and runs in loops and arcs that feel kaleidoscopic. Particularly fascinating are the songs that use Carlos’ Gamma scale: the distant, enigmatic “False Divine” and the pointillist starscape “Writing on the Wall.” During those peaks, Reider shows how the simplest forms can become musical constellations.
daily.bandcamp.com/best-experimental/the-best-experimental-music-on-bandcamp-august-2022

credits

released August 3, 2022

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about

C. Reider Berthoud, Colorado

C. Reider is a nonbinary composer living in Northern Colorado.
This music is antifascist.

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